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Commercial digest -- 1 message Ercelawn, Ann 08 May 2009 21:10 UTC

ABOUT THE COMMERCIAL DIGEST

SERIALST Commercial Digest pilot project: Since June 2008, the SERIALST
moderators have been experimenting with compiling and distributing a
Commercial Digest once a week, on Friday afternoons, with messages
containing informational content from commercial bodies (i.e.,
publishers, vendors, agents, etc.). The moderators review submitted
messages for informational content that may interest our subscribers. We
reserve the right to reject messages that are purely for advertising or
product/service solicitation, with little or no informational content
beyond the solicitation, as well as other content that are not within
the scope and purpose guidelines of SERIALST
(see: http://www.uvm.edu/~bmaclenn/serialst.html)

If you have thoughts or feedback about the Commercial digest, or other
aspects of SERIALST, please let us hear from you. Contact information
for the SERIALST moderators is at:
http://www.uvm.edu/~bmaclenn/serialst.html#contacts

____________________________________________________________

1 message:

Subject:

"Etudes de communication" becomes OA journal

From:

"Joachim SCHOPFEL" <joachim.schopfel@univ-lille3.fr>

Reply-To:

joachim.schopfel@univ-lille3.fr

Date:

Tue, 5 May 2009 14:48:03 +0200 (CEST)

The French journal on information and communication sciences "Etudes de
communication", published since 1986 by the Lille GERiiCO laboratory
http://geriico.recherche.univ-lille3.fr/ becomes an open access journal
on
the Revues.org platform http://edc.revues.org/

"Etudes de communication" deals with a number of different research
domains: cultural industries, organisational communications, media and
cultural analyses, and audiovisual communication. It focuses on work
carried out by university researchers and communications professionals,
particularly in the following areas: written production in institutional
contexts, the critical analysis of the legitimisation of reception
models,
questions relating to the evolution of media forms, the effect of
audiovisual writing procedures and the modes of appropriation by invited
audiences.

The issues 2002 to 2006 are freely available, the access to 2007 and
2008
is restricted.